Cue-Go Limited Projection Screens for Events: How to Size, Choose and Rig a Fast-Fold Every conference, gala dinner, prizegiving and quiz night eventually meets the same problem: the venue's pull-down screen is too small, too low, and bolted to the wrong wall. The production-industry a... Sep 12, 2026
Cue-Go Limited Festival-Proof: Why IP-Rated Gear Pays for Itself Outdoors Anyone who has worked a Kiwi summer festival knows the drill: blazing sun at load-in, sideways drizzle by the headliner. For years the answer was cling film, tarps and prayer. The current generation o... Sep 6, 2026
Cue-Go Limited Do You Actually Need a Subwoofer? (Usually Yes — Here's How to Pick) The most common PA complaint we hear is “it distorts when we turn it up” — and surprisingly often the fix is not bigger tops. It is a subwoofer. Here is why, and how to choose one that matches what yo... Aug 25, 2026
Cue-Go Limited How to Choose a Powered PA Speaker (Without Buying Twice) Walk into any music store or scroll any marketplace and powered speakers all claim enormous wattage. Here is the truth: the wattage figure on the box is a marketing number. What determines whether a s... Aug 11, 2026
Cue-Go Limited The Mirror Ball Never Left: Pinspots, Rotators and Doing Disco Properly Trend forecasters keep “rediscovering” the mirror ball — in wedding styling, in retail windows, on festival stages. Those of us in the industry never stopped hanging them, because nothing else fills a... Jul 28, 2026
Cue-Go Limited The Corporate AV Checklist: Eight Things to Lock Down Before Doors Open We have supplied gear for enough conferences, AGMs and awards nights to know the pattern: the LED wall gets weeks of attention, and the thing that actually derails the morning is a presenter microphon... Jul 14, 2026
Cue-Go Limited The School Ball Production Playbook: Lighting, Sound and Wow-Factor Every winter, hundreds of New Zealand schools transform gyms and community halls for the ball — and every year, committees discover that the difference between “decorated gym” and “actual event” is mo... Jun 30, 2026
Cue-Go Limited Haze, Fog or Low Fog? Choosing the Right Atmospheric Effect “Can you add some smoke?” is one sentence that means three completely different things. Haze, fog and low-lying fog are distinct effects made by distinct machines, and buying the wrong one is a common... Jun 16, 2026
Cue-Go Limited Making the Switch: LED Stage Lighting for Halls and Community Theatres All over New Zealand there are school halls and community theatres still running tungsten rigs installed decades ago — lamps that are increasingly hard to source, dimmers that predate the internet, an... Jun 2, 2026
Cue-Go Limited DMX for Beginners: Addressing, Cables, and the Mistake Everyone Makes Sooner or later everyone who buys a lighting fixture meets DMX — usually at the exact moment the lights start doing something nobody asked for. Here is the five-minute version of how it works, and the... May 19, 2026
Cue-Go Limited Buying a Wireless Microphone in NZ: Spectrum, Batteries and What We'd Pick A wireless microphone is one of the few bits of production gear that can be genuinely illegal to use — not because of what it does, but because of where it transmits. Before you grab a bargain system ... May 5, 2026
Cue-Go Limited Bring the Clouds, Rain or Shine: the Upgraded Cloud 9X IP Low-lying fog is the effect that makes first dances, dance numbers and drops feel cinematic — and the original Cloud 9 became a touring staple doing exactly that. The new Cloud 9X IP keeps the dense, ... Apr 21, 2026
